Blog
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An Organizing Note
I’ve been working with some groups that try to get tenants organized to push back on the abuses of various types of landlords. This was my first campaign seen from beginning to end.
Tenants in Durham came out to City Council’s late October meeting to support an ordinance that would make it a misdemeanor for landlords to collect rent on slum-like conditions, including lack of water and multiple fire hazards.
Four members were initially skeptical and hostile to the ordinance, hemming and hawing on whether it would put Durham in conflict with the state legislature. But dozens of people came out, pushed back, and spoke out.
The ordinance passed 7-0.
This isn’t a magic wand for tenants living with these conditions. It’s not within the scope of the city’s powers to enforce a penalty for the crime of being a slumlord. But it helps tenants put such landlords on notice. It helps tenants in a lawsuit seek rent abatement. And it helps tenants in eviction court to get the resources they need.
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Recent Media Stuff
Hover over or tap on each thumbnail to read about my experience. (Scroll for longer text).
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I read The Satanic Verses for Book Club
Our book club theme for September was “banned books” and our nominations list included this one, Looking for Alaska by John Green, Sold by Patricia McCormick, All Boys Aren’t Blue by George M. Johnson, Fun Home by Alison Bechdel, and The Chocolate War by Robert Cormier.
Interestingly, the one we settled on by a substantial margin was the book that wasn’t banned by a typical Western and Christian-influenced censorship apparatus. Whereas books like “Boys Aren’t Blue” and “Fun Home” are banned for exploring queer identities, “Verses” was censored in over 20 countries due to controversy over its portrayal of Islamic mythology. The book’s place in history is anchored by the fatwa declared by Iranian religious leaders more than thirty years ago. The bounty placed on Rushdie’s head did eventually lead to an assassination attempt by a random New Jersey man just a few years ago. (Rushdie survived and published a memoir revolving around the violence).
The uncomfortable thing about online discourse of this book is that there seems to be a micro cottage industry of people who use this book as a way to grind an axe against Islam as a faith. Looking for videos on the book will often surface a dark muttering of commenters who say that the fatwa controversy surrounding “Verses” justifies everything they think about Islam and Muslims.
A befitting irony for the novel’s themes of narratives that are imposed on people and events is that this is hardly a book dedicated as a polemic or committed to poking a finger in the eye of Muslims. It can be irreverent – cheekily so. There’s cynicism about organized religion and since Rushdie was born into a Muslim family, he uses the backdrop of Islamic history to make some points. But if you’ve ever read a satirical retelling of Christian Biblical events, like Lamb by Christopher Moore or seen The Life of Brian movie, you’re already familiar with this approach from writers emerging from Christian worldviews.
Ultimately, my favorite chapter of Satanic Verses is one of the several allegorical visions that alternate with the main plot. It involves a village that has become extremely devout due to the power of a prophetess and is now embarking on an arduous pilgrimage on foot to Mecca. The chapter’s title, “The Parting of the Arabian Sea,” indicates what the final obstacle will be for these pilgrims. I suppose one could walk away from this chapter and say “wow, Rushdie really portrayed some truths about the darkness of religious extremism,” but I came away feeling like this was Rushdie’s acknowledgment about the power of faith and some of the downsides of steadfast skepticism.
Faith is a well. One can draw strength from it, but that well can be poisoned. In a desert with no other reservoirs, one can become so dependent that it leaves you vulnerable to corruption. But in the harsh conditions of reality, an oasis can still be the only reason we preserve and find respite.
I guess I just felt like Rushdie’s views on the faith background he came from are a little more nuanced and complex than the discourse would have you think.
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6AM, Waiting for the Oven to Preheat for My Kid’s Crescent Rolls
I’m watching Drop and it’s a solid thriller – sort of displaced in time, because it uses the sort of broad strokes that I imagine an old school thriller would, but it’s dependent on modern technology.
Do you know I’ve never seen Rear Window? Hell, I’ve never seen Psycho. I have the DVD. I picked it up at a library sale all the way back in Arlington, but I’ve never “made the time.”
Making the time. What a concept.
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News Articles I’d Like More People to Read
Over the summer, a slew of bands began to make similar announcements on social media: They’d be pulling their music off Spotify, the largest streaming service in the world.
It started in June with indie rock quartet Deerhoof. Within weeks, groups like Xiu Xiu, King Gizzard & the Lizard Wizard and Hotline TNT followed suit. The wave of departures continued into September; most recently, The Mynabirds, WU LYF, Kadhja Bonet and Young Widows have all decided to leave Spotify. So why are musicians — many of them independent — removing their songs from the most popular streamer globally, which has nearly 700 million users?
All artists cite Spotify CEO Daniel Ek’s ties to Helsing, an artificial intelligence defense company…. In 2021, Ek’s venture capital firm Prima Materia invested more than $100 million into the German startup. This past June, Prima Materia raised more than $700 million for Helsing, where Ek is now also chairman….The Financial Times reported that Helsing is now producing its own drones, aircraft and submarines.
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What in tarnation is in my email inbox
From: Nintendo
Subject: “One or more items on your Wish List just went on sale”I hope it’s something for like five dollars.
It was not.
It was Stray for $23.99.
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A Recent Letterboxd Review
Superman (2025)
Read on LetterboxdIt’s good! Some stray thoughts:
* David Corensweat nailed it.
* I’m on board for Gunn kind of reducing the mystique of the billionaire schemer and making Hoult’s Luthor more of his Golden/Silver Age version of a petulant flop. Certainly anyone paying attention over the past ten years would get the sense that this is how Musk or Zuckerberg would behave if anyone got in their face. Still, if there were a bit more done to build up the facade of calm-and-collected Luthor, it would have been all the more effective to see him crash out.
* A good amount of Daily Planet and Lois Being a Journalist in this, but now I have to grimace at Clark being the world’s most unethical journalist. Also, they did nothing with Cat Grant and the tertiary members of the staff. Without the source material, these characters have no business here. And then there’s the front page with Malik, a shot which would have you accept that Perry White is going to get extremely sentimental and subjective in the weeks following a major disaster for the city. Which brings me to Malik….
* Part one of the aspects that actually are kind of glaring. The Malik character feels uncomfortably underwritten. Making him a food vendor is already a red flag. And then he gets to have the one human death in a movie that otherwise seems to adhere to the kinder, gentler superhero movie wherein Superman goes out of his way to save a *squirrel.* But Malik is just an avatar for Metropolis and making a person of color hero-worship Superman and then get dispatched as a plot device is probably not the message Gunn thinks he’s telling. Which leads us to Jarhanpur.
* Yes, absolutely I want to see the story of how Superman handles having the power to save people from war and genocide while trying to hold himself accountable. We take one reasonable step into exploring that and then it becomes, once again, a mere given that Clark’s instincts are 100% correct and that he shouldn’t be confined by the shackles of diplomacy or conflict resolution. It works for a progressive audience in our current context where we’re all sick to our stomachs at what’s being done to the Palestinians. You know who else this would have worked for? People supporting the Iraq War.
Still, I’m on board for simply saying “I’m sick of dithering while innocent people are trampled like this.” But the payoff? “I’m sending Maxwell Lord’s private goons to do this in my name.” That whole third act, I was like “Okay, they’re layering the parallel conflict tension kind of thick,” but the Justice Gang did not earn the Han Solo payoff they try to give them. As it shakes out, Superman doesn’t even fly into Jarhanpur airspace during the actual events of the movie. That one cool scene happened offscreen.
* He just straight-up gave Mr. Terrific a Yondu scene.
Still, a good direction for Superman and the DC Universe overall. If Gunn can give me a Guardians Volume 2 sequel to this, it will probably rocket past the Reeve movies. We’re on a good foundation.
